Fw: AMP-L Book Reviews

Tony Barr

The following post is being forwarded from the Amputee Listserve and Amputee Resource Center.The initial post was sent back “unprocessed ” from OANDP-L. We apologize for any inconvenience in the event you have recieved multiple messages of the post. The book reviews can also be viewed at the Amputee Resource Center’s web site www.usinter.net/wasa/arc.html

Have a nice weekend!

Anthony T. Barr

Book Reviews by Dick Mooney of the Amputee Resouce Center :

“Whole Again – An Amputee’s Awesome Ten Year Battle Against Continuous

Pain” by Lee Whipple. and “Repercussion”, by India J. Podsen, Ph.D. with

George Velazquez

I don’t usually review books in pairs, but since I read both of these in

the same week and the contrasts and similarities were so interesting, I

decided I might be forgiven for reviewing them as a “set.” Both are true

stories, although Repercussion is fictionalized. They are both well

written and the stories are gripping. I enjoyed reading both books and I

recommend them.

The major differences are in the two books’ portrayal of physicians and

prosthetists. In Whole Again, physicians know little about prosthetics

and most of the prosthetists who try to help the main character are

unqualified. On the other hand, in Repercussion, highly qualified

physicians and prosthetists work together to satisfy the main

character’s every need. Maybe Repercussion is the way it should be, and

was for George Velazquez; and Whole Again is the way it too often is –

and was for Bill and Tony Barr. In fairness, Whole Again takes place

between 1970 and 1978, while Repercussion spans the years 1994 to 1996.

One hopes this reflects that many physicians and prosthetists are more

competent today than in the 70s.

I wouldn’t call Whole Again an inspirational book except, perhaps, for

the way Bill Barr took charge of his own recovery and searched endlessly

for someone who could solve his prosthetic problems – and that is truly

inspirational. On the other hand, Repercussion, although it’s

technically a novel, qualifies as an inspirational self-help book and,

therefore, should be a must-read for new below-knee amputees.

A phrase that kept running through my mind as I read Whole Again is

“truth is stranger than fiction.” Read the first chapter of this

docu-drama and you won’t want to put this book down.

Fifty year-old Bill Barr is a wealthy real estate developer and Illinois

legislator. In 1970, a bomb, apparently planted under the hood of his

Cadillac by someone who doesn’t like his non-discriminatory housing

policies, blows his leg off as he tries to start the car. As the

subtitle suggests, the rest of the book is the story of Bill’s

indefatigable, heart wrenching, but inspirational quest for a prosthesis

that works for him – one that he can wear without pain.

But there are several other stories in this book. One of them is about

Bill’s son, Tony, who falls under a train in 1972 and loses part of his

foot. After eleven operations, Tony joins his father in his multi-year

search for a satisfactory prosthesis. (Tony is now the President of The

Barr Foundation, an organization that provides prostheses to amputees

who have no other sources of funds.)

This is also an activist book. It tells the story of physicians who

routinely amputate their patients’ arms and legs but who don’t know much

about prosthetics and, worse, don’t seem to care to learn. It is also

about inept prosthetists who are inadequately trained, not stringently

enough certified, unlicensed (even though people who fix our hair and do

our nails must be licensed), and about “the associations” run by “the

big boys” that are more interested in maintaining the status quo than in

improving the profession.

This book is also about Jan Stokosa, a prosthetist who learned his craft

as an apprentice to his abusively demanding, but highly competent,

prosthetist-father. Jan made his first prosthesis at 13 and wrote his

first prosthetic prescription at 16. But Jan’s harsh childhood treatment

has soured him on the prosthetics business. Even his father’s death

doesn’t set Jan free. He goes to Japan to study Judo but suffers a

career-ending injury. He cooks some, pumps gas, and takes construction

jobs. Finally, he is drawn back to the prosthetics business. Even though

he is a Certified Prosthetist he starts at the bottom – as a technician

in a very bad Jacksonville shop. Finally, he rejoins his father’s old

firm and – you guessed it – makes the first successful leg Bill Barr has

ever had – and one for Tony, too.

It takes a very good writer to weave all this into a smoothly flowing,

believable story, and Lee Whipple fills that bill impressively. His

writing is crisp and his character development is skillful. Without

Whipple, Whole Again might not have been the page-turner it is.

I wouldn’t recommend Whole Again for brand new amputees. I realize that

chronic pain, prosthetic problems, even drug or alcohol problems, are

true-to-life issues with which some amputees have to deal. And I greatly

admire people like Bill Barr who deal with them successfully. But new

amputees have enough difficulty adjusting to their new situation and

grieving their lost limb; they don’t need to be scared to death by

reading about a man who had to search for almost ten years for a

solution to his problems. There will be time for reading about that

later.

Repercussion is a very different book but is just as worthwhile and

enjoyable a read. It was even more fun for me because I know George

Velazquez, the below-knee amputee after whom this book’s leading man is

modeled, and recognized the fictionalized names of the amputee

associations, support groups, and prosthetists referred to in the story.

In Repercussion, George’s name is Antonio Rubio, a Puerto Rican

immigrant. He is an up-and-coming dancer, seeking fame and fortune in

the dog-eat-dog New York dance scene where “dancers are a dime a

dozen.” He finally lands a job as an exotic male dancer. He is good

looking. He is skillful, and he is creative. He makes a lot of money –

enough, at least, to enroll in Julliard’s prestigious theater arts

school and to begin searching for the Broadway jobs he has longed for

for so many years. He meets and eventually marries Rachel, another

dancer. Rachel is the love of his life and on the dance floor they seem

truly made for each other.

Antonio and Rachel soon become tired of “life in the fast lane” and move

to Atlanta to become ballroom dance instructors. Both they and their

students do very well. Antonio becomes the studio’s dance director.

The studio owner sponsors Antonio and Rachel as a professional couple in

the ballroom dance competition circuit.

Antonio is celebrating at a local watering hole after he and Rachel win

the semifinals in the Latin Dance Championship. The finals are the next

afternoon. As he is walking to his car at the end of the evening, a

hit-and-run driver runs him over in the club’s parking lot. Antonio

wakes up in the hospital minus his left leg. It is 4:15 p.m. The Latin

Championship round has started – without Antonio and Rachel.

The most heart rending, yet true-to-life part of the story begins here.

Antonio thinks his life is over. He is alternately angry and

depressed. He feels self-destructive. He lashes out at others. He

grieves his loss with a vengeance. He is visited in the hospital by a

peer visitor from the local amputee support group. Antonio rebuffs him.

As it turns out, Rachel can’t handle Antonio’s disability and she

rebuffs him. Their marriage eventually ends. Antonio is at the bottom

with no place to go but up. His students need him. It’s “dance or die.”

He starts his long road back.

Repercussion, is a book every new below-knee amputee should read. It

accurately portrays the physical and emotional challenges they will

probably face. The scenes in the hospital, the surgeon’s office, and the

prosthetist’s office are accurate and vivid. Antonio’s recovery isn’t

easy, but he perseveres. It’s hard and sometimes discouraging work.

But Antonio is a winner. His attitude is everything. The reader’s

conclusion is inescapable. If Antonio can do it, so can I.

The book jacket credits India J. Podsen as an author of books in the

field of education and a competitive ballroom dancer. Repercussion is

her first novel. Impressive! Her dance background has enabled her to

write convincingly about the highly stylized and competitive world of

ballroom dancing. Her close association with George Velazquez has

enabled her to write equally convincingly about life as an amputee. She

has penned an easy-to-read, engrossing tale.

Finally, it’s hard to write about Antonio without writing about George.

Today, George is not only a successful instructor for non-disabled,

wheelchair, and amputee dancers, but a clinician for amputees who want

to use dance as a way to improve their physical skills and self esteem –

or just to enjoy dancing. He is a motivational speaker, role model for

juvenile amputees, sponsor of the Captain Pegleg George Cruises – a

support group at sea with sun, fun, and dancing – and he competes

against non-disabled dancers — and wins! I’ve seen George dance. If I

told anyone he has a mechanical leg, they wouldn’t believe me. If you

want to read more about George Velazquez, get the November/December 1998

issue of In-Motion from the Amputee Coalition of America.

Whole Again – An amputee’s awesome ten year battle against continuous

pain, by Lee Whipple. Caroline House Publishers, Inc., Ottawa, IL. 1980

For a copy of the book, send a tax-deductible donation of $9.95 or more

to The Barr Foundation, 136 N.E. Olive Way, Boca Raton, FL 33432

Repercussion, by India J. Podsen, Ph.D. with George Velazquez.

Mindscapes Publishing, Alpharetta, GA. 1998. Repercussion is sold for

$14.95 by amazon.com. Or write Mindscapes Publishing at

Mindscp55@aol.com.

 

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